Englishmen Can Be Rude, Too

By Tom Kando

There is always the widespread feeling that the British are classy. For example, Downton Abbey is wildly popular at this time, but the stereotype is longstanding. As are other stereotypes, such as the rude Frenchman, the jolly but sexually harassing Italian, the humorless German/Swiss (take your pick), the duplicitous Greek/Hungarian (take your pick), the miserly Dutchman/Jew (take your pick).

The British (and other Anglos, such as Australians and Canadians) usually come off relatively unscathed in these prejudices - probably because Anglo-Saxon culture still dominates the world, even though more and more precariously.

But I want to lodge a contrary note: My wife, my children and I have traveled around the world for decades, visiting dozens of countries, including Australia, Britain and just about every other European country. I must tell you: Many of the meanest people we have encountered over the years were English, or some other form of Anglo-Saxon. Here is a sample of our experiences:
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The Many Worlds Theory

by Madeleine Kando

I heard a snippet on public radio the other day about a new technology that allows a viewer to change the outcome of a movie. Plymouth University researcher Alexis Kirke has developed a technique that reads the minds (and bodies) of the audience by measuring heart rate, muscle tension, brainwave activity and perspiration, to monitor their reaction. Several versions of a movie are shot in advance and depending on the audience's 'reaction', the appropriate version of the next scene if selected.

It's too bad this wasn't available when so many great movies were made way back when. I have always been in the habit of mentally rewriting the ending of movies. Take a movie like 'The Manchurian Candidate'. The Soviets capture and brainwash Raymond Shaw (played by Lawrence Harvey) to become an assassin for their cause. He is supposed to kill the US Presidential Candidate, but after unwittingly shooting his sweetheart who happens upon the scene, Raymond instead takes revenge and shoots his mother, who is the 'operative' in the plot. The movie ends tragically when Raymond shoots himself after realizing what he has done and has been forced to become.

I fantasized so many times about the ending of this movie. Marco, Raymond's army buddy, played by Frank Sinatra, opens the door to the small sound booth where Raymond has positioned himself, just too late to prevent Raymond from quickly pointing his rifle at himself and pull the trigger. Why the hell didn't Marco climb the stairs a bit faster? Read more...